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Wondrous Words Wednesday is a weekly meme hosted by Bermudaonion's Weblog where we share words that we’ve encountered in our reading. Feel free to join in the fun (please do!) Be sure to leave a link to your post over at Bermudaonion's Weblog.
Title: The London Train
My Sunday Salon post is running a little bit late today. I have a good reason for this, though! It's been a wonderful Sunday morning (and early afternoon!). After reading late into the night...or actually early morning hours...I slept in, something I don't often do. While enjoying my coffee with Cutting for Stone, Mr. Magoo started rubbing his cheek along the corner of the book, something he loves to do when I'm reading and usually means "Pay attention to me!" lol. So, while I gave him a good 'mushing up' and rubbed his cheeks and head, a great idea for a story popped into my head. I try and write at least a little bit everyday like so many writers recommend but I haven't had a really good idea, one I liked that I felt I could actually do something with, in quite a while. As a result, my creative writing has really slacked off. So I was very excited about this idea and spend several hours, enhancing it, thinking about it, writing is, sketching out characters ideas & descriptions and more. It was fantastic, fun, frustrating, headache=producing and so much more. I hope I can write something I like with this idea!


Title: Lives of Girls and WomenDel is smart, observant and a bit of a misfit from a young age. She lives with her parents and her brother Owen at the end of Flats Road on the outskirts of the town of Jubilee. Her mother detests living on Flats Road and eventually moves into Jubilee, only to discover it doesn't suit her either. Del, as a child, is aware her mother doesn't fit in with the people of Jubilee and she doesn't want to. Del's mother is intelligent, creative and ambitious woman who believes in ideas and education. She can also be out-spoken and off-putting. Del's Aunt Elspeth and Auntie Grace, her father's sisters, mock and criticize her mother in front of Del. Del doesn't always understand what they're saying but she gets the gist of what they're saying. Del knows her mother believes she's better than them and Del's aunts disdain her mother for it. Del fears being made fun of and being disliked like her mother. She wants to fit in with the people in this town. She wants her aunts to continue to like her and invite her to visit. Del doesn't want to be like her mother
Del struggles with anger towards her mother, partly fueled by fear she will become just like her. In some respects she already is: Del is intelligent and quick-witted and a prolific reader of a variety of books. Del struggles not to be eccentric and smart like her mother for a while. Then she decides to rebel in the typical fashion of young girls by doing exactly what her mother hopes she won't . While trying to figure out who she is, Del relishes shocking and disappointing her mother. Del's mother intensely disdains religion (her own mother was very religious). There are four churches in Jubilee . Del's parents belong to the United Church of Jubilee and Del and Owen were baptized but her parents rarely attend. Del begins attending the United Church when at age eleven to annoy her mother as well as hoping to make herself more interesting. By the time she's twelve, Del has questions about God and is looking for answers. She ends up spending more time in Jubilee's churches than even she intended.
Del, as well as her mother, are the main characters in Lives of Girls and Women. Munro also fills her book with a myriad of quirky, eccentric characters who come in and out of Del's life as she grows up. Her best friend, Naomi, who's mother is a nurse and shares entirely too much of her job with her daughter, according to Del's mother, is an example of the kind of girl found in Jubilee. Naomi doesn't dream of a career or a life beyond Jubilee. She expects to get a job, marry, settle down and have a family. Del's mother worries Naomi will be a negative influence on Del by encouraging Del to follow this same path. Del's mother expects Del to break free of the boundaries of a town like Jubilee and make something of her life, like her mother wishes she herself had done. You can imagine, then that her concern about Naomi is nothing compared to her worry over Del's Baptist boyfriend, Garnet!
Munro makes even the most minor character come alive with a few words or a brief description. Some of the characters are sweet and sad such as Miss Ferris, one of Del's teachers, some are more like the menacing Dale, a slimy, lecherous boyfriend of her mother's boarder, Fern and many, such as Del's Aunt Elspeth and Auntie Grace will make you cringe at their caustic remarks but also laugh. Munro enables us to feel something for each of her characters, be it pity, disdain, joy or contentment and we recognize them in people from our daily lives and so can identify with them. The people of Jubilee are colorful and fascinating. They add a depth and richness to this story that, along with Munro's vivid descriptions of Jubilee, Flats Road and the surrounding country, provide us a life-like picture of Del, her family and friends and the place where she grows up.
I've provided some additional examples of Munro's breath-taking and compelling writing. Ordinary, simple situations become remarkable and surprising when she applies her considerable talent and wit to the occurrence. Scenes don't always follow the predictable path we're used to and often the conclusion of an incident is not as expected. Munro was obviously aware of the breadth and variety of human behavior and actions. When young Del bites the arm of her cousin after the girls harasses Del at her uncle's funeral we learn why:
" When I bit Mary Agnes I thought I was biting myself off from everything. I thought I was putting myself outside, where no punishment would ever be enough, where nobody would dare ask me to look at a dead man, or anything else, again. I thought they would all hate me, and hate seemed to be so much to be coveted then, like a gift of wings. "
" When I was younger, out at the end of the Flats Road, I would watch her walk across the yard to empty the dishwater, carrying the dishpan high, like a priestess, walking in an unhurried, stately way and flinging the dishwater with a grand gesture over the fence. Then I had supposed her powerful, a ruler, also content. She had power still ,but not so much as perhaps she thought. And she was in now way content. Not a priestess. She had a loudly growling stomach, whose messages she laughed at or ignored but which embarrassed me, unbearably. Her hair grew out in little wild gray-brown tufts and thickets; every permanent she got turned to frizz. Had all her stories, after all, to end up with just her, the way she was now, just my mother in Jubilee? "